THE HANDEL FESTIVAL

 


All who were at White’s Room on Wednesday evening, at least all who are senible of the potent influence of that devinest science which

“takes the prisoned soul

And laps it in Elysium,”

Must have enjoyed no inconsiderable treat. The very occasion – an In Memorium to the genius of Handel, to whom belongs, par excellence, the fame of having clothed Christian verities in grandest tones – was attractive and congenial; while the thought that the tribute of admiration was being paid on the very day on which a hundred years before the soul of that mighty musician passed to the quiristry of eternity spread a diapason of deep and solemn feeling beneath the more pleasing emotions which the intention of the evening awakened.

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Prior to any remarks of a critical character, we may state that at the orchestral end of the room, and towering above the most elevated of the choir, was a very well executed painting of the immortal musician, so painted as to present to the eye, the appearance of a statue.

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The total number of the choir was close upon 70. The following is a list of the instrumentalist performers with the instruments which they severally played upon:- Violins – Chapman, White, Lower, King, Schrader; viola – Schrader; violoncellos – Lillywhite, Allen, Marshall; double bass – Betteridge, Schrader; flutes – Proctor, Spiller; clarionets – Heydecke, Sumpse, Clisby; harmonium – Light; saxe horns – Vincent, Wheatley; cornopean – Wheatley.

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Mr Linger was the conductor and Mr Chapman leader. While Mr Daniel filled the important office of choralmaster for the occasion.

The oratorio selected was the “Messiah”, the greatest of all Handel’s composition……………

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To the instrumentalists generally too much praise can hardly be given when it is considered that they are all amateurs; and foremost among them is Mr Chapman, the leader, whose violin playing would be no disgrace to the best orchestra in the world. Mr Jarvis, tenor violin, also deserves honourable mention. The number of persons in attendance at both concerts has amounted to nearly a thousand, and the sum likely to be realised over and above all expenses is, we understand about ₤70.

 

The Obsever, April 16, 1859