BREWSTER-JONES SYMPHONY ORCHESTRA

 

Mr. H. Brewster-Jones has attacked the difficulties which stood in the way of giving symphony concerts in Adelaide, and has successfully mastered them. The Brewster-Jones Symphony Orchestras an accomplished fact, and the first concert is announced for Tuesday evening, April 15, in the Adelaide Town Hall.  Mr. Brewster-Jones will conduct and

Miss Sylvia Whitington is the leader of 60 distinguished instrumentalists. Mr Harold S. Parsons, Mus Bac., will also appear as conductor in the “Piano concerto” by Rubinstein, which Mr. Brewster-Jones will play with orchestra. Melbourne and Sydney have  been in advance of “The City of Culture” long enough in the matter of a symphony orchestra; and it is gratifying to be able to announce that this condition is about to be altered owing to the enthusiasm and indefatigable zeal of Mr. Brewster-Jones. The symphony orchestra has been modelled upon the famous Boston Symphony Orchestra in the balance of tone and proportion, and certain rare instruments have been included for the special effects in the new works which are being introduced to Adelaide. The “Symphony in D minor” of Cesar Frank will be performed here for the first time. This is regarded as one of the greatest symphonies extant; and although quite a modern works, It shows none of the “weaker tendencies of modernism. Frank absorbed his technique chiefly from Bach. His one medium of expression is that of polyphony of which Bach was the great master”. So speaks Surette of the great French genius. Here therefore is presented the union of the modern and the ancient in a character who “dwelt not in the world of action, but in the quiet cloister of his own tender, devout and moving thoughts”. Cesar Frank made an innovation in symphony writing when he wrote an important part for the “Cor Anglais”. This gives to the “D minor symphony” a mystic effect which does not belong to other works of this order. Mr. Brewster-Jones has arranged for Mr W. S. Johnson to play this rarely heard instrument and the other members of the wood wind family will also be in very efficient hands, as special trouble has been taken to secure the best players available. The brass and string sections are equally good, and the facts seem to justify the conclusion that a splendid combination of players has been got together. The programme will include another composition new to Adelaide, “The nightingale suite” By H. Brewster-Jones, in which music suggestive of the immortal bird will be interpreted by Mr Gilbert, flautist. Mr John Dempster, organist, will supplement the orchestra in the great 1812 Overture (Tschaikowski) and “The bartered bride” (Smetana) will complete the programme. Mr Sutton Crow of Melbourne, arranged for a loan of music from the Melbourne University Conservatorium for the concert, and support has been forthcoming from various sources for an organisation which is of great importance. The management of the Brewster-Jones Symphony Orchestra has been undertaken by Mr Charles Cawthorne.

 

Register, March 22, 1919